Bach Bibliography Search Result

Author : Christensen, Thomas
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Christensen, Thomas	Johann Nikolaus Bach als Musiktheoretiker.	BachJb	82		1996	93-100
	2.	Christensen, Thomas	Bach among the Theorists.	BachPerspectives	3		1998	23-46
	3.	Christensen, Thomas	Fundamenta partiturae: Thorough bass and foundations of eighteenth-century composition pedagogy.	[ce]Christensen			2014	77-100
	4.	Christensen, Thomas	Johann Nicolaus Bach as music theorist.	[ce]Christensen			2014	257-264
	5.	Christensen, Thomas	Bach among the theorists.	[ce]Christensen			2014	265-288
	6.	Christensen, Thomas	Nichelmann contra C.Ph.E. Bach: Harmonic theory and musical politics at the court of Frederick the Great.	[ce]Christensen			2014	311-342
	7.	Christensen, Thomas	The work of music theory. Farnham: Ashgate, 2014. 404p. ISBN: 978-1-4724-3055-7. (= Ashgate contemporary thinkers on critical musicology series)	[ce]Christensen			2014	404p
	8.	Christensen, Thomas	C.P.E. Bach's Versuch and its context in 18th-century thorough-bass pedagogy / Repr. from in Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle 'Carl Philipp Emanuel Bach' in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderbaud 2. Frankfurt (Oder): Kouzerthalle 'Carl Philipp E1nanuel Bach' (1998), pp. 352-377.	[ce]Late18cComposers_CPEB			2015	311-336
	9.	Christensen, Thomas	Nichelmann contra C.Ph.E. Bach: harmonic theory and musical politics at the court of Frederick the Great. Repr. from in Hans Joachim Marx (ed.), Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren 18. Jahrhunderts: Bericht über das Internationale Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29. September-2. Oktober 1988, Göttingen: Vandenhoeck & Ruprecht (1990), pp. 189-220.	[ce]Late18cComposers_CPEB			2015	413-446
	10.	Christensen, Thomas	C.P.E. Bach's Versuch and its Context in Eighteenth-Century Thorough-Bass Pedagogy.	CPEBachKonzepteSR	2		1998	352-377
	11.	Christensen, Thomas	Sensus, ratio and phthongos: Mattheson's theory of tone perception.	[fs]Lewin			1994	1-22
	12.	Christensen, Thomas	Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy.	HarvardPubM	22		2008	17-40	[fs]CWolff
	13.	Christensen, Thomas	Eighteenth-Century Science and the 'Corps Sonore:' The Scientific Background to Rameau's 'Principle of Harmony'.	JMTheory	31	1	Spring 1987	23-50
	14.	Christensen, Thomas S.	Die Kunst des Möglichen. Bach, Musiktheorie und musikalische Mannigfaltigkeit.	LeipzigerBeitrBachF	7		2005	99-126
	15.	Christensen, Thomas	Bach among the Theorists. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996.	[p]ABS_California			Apr 1996
	16.	Christensen, Thomas	Nichelmann Contra C. P. E. Bach: Issues of Harmonic Theory in the Empfindsamer Stil. A paper read at the American Musicological Society, Center for Black Music Research, and The College Music Society Annual Meetings 15-18 October 1978, New Orleans, Louisiana.	[p]AMS_NewOrleans			Oct 1987
	17.	Christensen, Thomas	Nichelmann contra C. Ph. E. Bach: Harmonic Theory and Musical Politics at the Court of Frederick the Great. also repr. in The work of music theory. - Farnham: Ashgate, 2014. ISBN: 1-4724-3055-7; 978-1-4724-3055-7. (= Ashgate contemporary thinkers on critical musicology series). pp. 311-342.	VeröffJoachimJungiusGWiss	62		1990	189-220	[cr]Hamburg1988